Keller, Perényi, Várjon II. A Zeneakadémia saját szervezésű programja

It may not be an overstatement to claim that the tonal aesthetic of the piano trio is as close to perfection as you could get in chamber music: it is not by chance that such works are an important part of Beethoven’s oeuvre, from his first opus to his final public appearance in which he reportedly played the B major trio dating from 1811. Here, a mature analytical side and joie de vivre are revealed in parallel. The violin, cello and piano parts in Beethoven’s trios blend together to create a single, expressive unity, while at the same time presenting a lively reward for all three instrumentalists. It is Beethoven who, in contrast to Haydn, say, first endowed every line with soloistic qualities. These qualities will be in abundant evidence thanks to three brilliant artists: András Keller, cellist Miklós Perényi and pianist Dénes Várjon.